It is a vanity project and a writing closet, a treasure chest for news, views and reviews.

More prosaically, it provides a store house for my writing. Some of it is quirky – poems, sayings and asides. There are movie and book reviews, profiles and other articles from my past and present sojourn as a journalist. Plus my new book — The Dream Machine: A Novel of Future Past!

Lester Jacobson in black without glasses
The Dream Machine
Novel

The Dream Machine: A Novel of Future Past

A thrilling, highly imaginative and tautly written journey back in time to find “the tool to unrule” a post-American fascism.

“Brilliant,” says National Book Award winner and MacArthur Genius Fellow Charles Johnson of “The Dream Machine: A Novel of Future Past.”

“A great tale, brilliantly told,” says violist and international recording artist Roger Chase. “There are surprises on every page, and the end, which comes only too soon, is a coda of marvelous drama, invention and imagination.”

On Reading Proust For Book Club

“On Reading Proust” is a hybrid: except for the incidents at the Y, it is all true. Call it creative non-fiction. Or Proustian.

Our public library sponsors an annual citywide book club called Mission Impossible, so named because only the most impossible-to-read classics are selected. What’s an impossible-to-read classic? One that by reputation is too big, too abstract or too abstruse to comprehend or enjoy. Think Stephen Hawking’s A Brief History of Time. Or as Mark Twain said, a classic is “a book which people praise and don’t read.” But often these books are wonderfully readable, with the right help, and that is what the library provides in the form of an excellent introductory lecture and subsequent breakout discussion groups led by trained facilitators.

The first year the library made the obvious and preemptive choice: Joyce’s Ulysses. Of the 150 or so people who signed up, about a third actually made it to the end, nine months later. That is a phenomenal batting average as far as I’m concerned, having made it only to page 5. . . .

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